December was a step up from November, but not quite where I’d aimed for it to be. With edits upcoming in January, I’m not quite sure how that will change.
I set a goal of reading sixty books in 2012, though; I’m setting my sights high, but I managed a little more than that in 2011 (or exactly sixty if you don’t count unfinished books) and that’s with some pretty slow months in there.
So, here’s hoping.
The Amazing Adventures of Kavalier and Clay, by Michael Chabon: This is a fat, dense, literary book; I didn’t think it’d be my sort of thing. I loved it. It’s got art and comics and superheroes and queerness and fantastic, real characters. Beyond heart-breaking. It’s 700 pages of please please please be okay.
The Escapists, by Brian K. Vaughan: Re-read. I liked it less now I’ve read K&C–it pales in comparison. I found the digs at fatness and autism disappointing, as well as a “not gay!” moment that’s extra awful given the book it spins off from. I do recommend this GN, but mainly as a love letter to comic books. Gorgeous shifts in and blending of art styles.
Riot Boy, by Katey Hawthorne: I blazed through this. Great characters, intriguing romance, and written in the smooth, distinct voice that makes all of Katey’s works so damn readable. If you dig smutty romance, read this.
Enclave, by Ann Aguirre: Some feminist concerns aside (I know, so not me *g*), this was a quick, gripping read, with fun world details. I won this in a contest and I’m glad I did.
Midnight Riot, by Ben Aaronovitch: This had a fantastic start–exactly my sense of humor. The rest of the book went slightly downhill, but stayed very enjoyable.
The Wolfman, by Nicholas Pekearo: Didn’t finish this. The protag tried cartoonishly hard to be an antihero badass. When you’re talking about “broads” and “fairies” while grunting your way through conversations, I have a really hard time taking you seriously.
Nightshade, by Andrea Cremer: I read this in one day, which says a lot. I even appreciated all ends of the love triangle–though not whole-heartedly. That ties in to some feminist/queer-related concerns, though I’m on the fence about those. Depending on how they’re addressed in the sequel (which I’ll probably read) I may forgive a lot.